Free Watch Movie Online Whiplash ~2014 FuLL#MOVIES
CAST: Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell, Nate Lang, Jayson Blair, Kavita Patil, Chris Mulkey, Damon Gupton, Suanne Spoke, Max Kasch, Charlie Ian, Kofi Siriboe, C.J. Vana, Tarik Lowe, Tyler Kimball, Rogelio Douglas Jr., Adrian Burks, Joseph Bruno, Michael D. Cohen, Jocelyn Ayanna, Keenan Henson, Janet Hoskins, April Grace, Clifton `Fou Fou` Eddie, Calvin C. Winbush, Marcus Henderson, Tony Baker, Henry G. Sanders, Sam Campisi, Jimmie Kirkpatrick, Keenan Allen, Ayinde Vaughan, Shai Golan, Yancey Wells, Candace Roberge, Krista Kilber, Cici Leah Campbell, Damien Coates, Kyle Julian Graham, Ellee Jane Hounsell, Stephen Hsu, Herman Johansen, Wendee Lee, Dakota Lupo, Jesse Mitchell, Amanda Newman, Joseph Oliveira, Michelle Ruff, Daniel Weidlein
SYNOPSIS: Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.
GENRE: Drama, Music
(biased but educated review from a jazz drummer student)
I give 3 points because:
-the movie is entertaining (wich for me is a major factor)
i take seven because:
-The plot is 100% unbelievable.
-The idea portrayed here that to get better at jazz drumming (or for that matter any music genre and any musical instrument) you have to injure yourself, suffer psychologically and practice with tension in your hands/arms is exactly the opposite of what playing/practicing jazz drumming is.
The only way to get better is practicing relaxed an being constant...improving in baby, but solid steps.
-There is a special accent on playing fast as hell as a mean to be considered "the greatest", and also indirectly in the importance of reading musical scores, when in reality, jazz drumming is a lot more about feel and dynamics, , creativity, coordination and improvisation (without reading any musicl score at all but knowing the form of the song and listening to the other players to interact in the moment).
So the movie is a fiction, but not tagged as if. The only thing that can relate with reality is that it can be considered a caricature of a very turbulent student-teacher relationship. Also can be considered a good way to show teachers and students WHAT NOT TO DO.
SYNOPSIS: A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows have nothing in common except a debt left behind by their spouses` criminal activities. Hoping to forge a future on their own terms, they join forces to pull off a heist.
PRODUCTION: New Regency Pictures, See-Saw Films, Film4 Productions, Lammas Park, Regency Enterprises
Trailer: Widows (2018) - TV Spot - Everybody Ready [HD]
CAST: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Robert Duvall, Liam Neeson, Garret Dillahunt, Carrie Coon, Jacki Weaver, Jon Bernthal, Manuel Garcia-Rulfo, Lukas Haas, Matt Walsh, Kevin J. O`Connor, Michael Harney, Clare Cooney, Ann Mitchell, Deron J. Powell, Adam Wesley Brown, Wendy Mateo, Matthew Fowler, Bailee Brewer, Stephen Hill, Michael Weber, Adepero Oduye, Chuck Inglish, Henson Keys, Doug James, Laura Fisher, Stef Tovar, Bailey Rhyse Walters, Katherine Kupferer, Kirsten Fitzgerald, Deanna Reed-Foster, Paulette McDaniels, Will Zahrn, John Henry Roberts, Paul Stein, Coburn Goss, James Vincent Meredith, Patrese McClain, Jason Bradley, Keith Kupferer, Socorro Santiago, Sir Michael Rocks, Josiah Sheffie, Brian King, Stephen Eugene Walker, Chris Nolte, Chris Froseth, Kurt Ehrmann, Eric C. Lynch, Francis Florczyk, Amanda Rivera, Philip Rayburn Smith, Jon Michael Hill, Tonray Ho, Cameron Knight, Chaon Cross, Mark Lancaster, Molly Kunz, Lily Mojekwu, Tai`isha Davis, Alejandro Verdin
It is with great disappointment I feel the urge to write this review - mainly because of how critically acclaimed this film has been since its release and also because I bought a £18 ticket to watch something not worth it. The plot, the inconsistency throughout 2h09min, the character depth and let me tell you about the biggest disappointment; the first few scenes you`re compelled into the loving world of Veronica and Harry - they`re compassionate, caring, loving and just a end-product of a healthy and prosperous relationship. And what happens if not that they try to kill each other by the end of the film?! Utterly and completely poor. Not because something so beautiful was destroyed, but because there was no basis to support his side of actions, as if Mcqueen (Flynn) couldn`t decide on a ending so they went with the stupidest just to keep the film `unpredictable`. They were however, parts which justified the unpredictability - for instance, when they were robbed during their robbery (not considered done until you get to the safe house) by Jatemme, and he drives off with their van and then suddenly a car crash into the van from behind and he dies and it was the women, they take the money and leave for the second time (which also questions the credibility, whose car was it, did they steal it, and how did they steal it, with no street credit at all?). Just lack of background, character depth, importance of plot and foundation for it, line of story - all of a sudden they were pulling off the heist, no buildup whatsoever, disallowing the audience to actually feel the adrenaline and excitement and actually support the women; because there was reason to actually feel for them, the losses they endured and how they endured it and how innocent they were; the background of Alice, who seems the most fragile of them because of what other characters think of her (her mother, who wants her to become a prostitute because she doesn`t think she has anything else than looks) but who then proves everyone wrong and takes initiative in finding out about the drawing by using her temporary sugar daddy. She not only excels as a character but she becomes Veronica`s favorite, who is the alpha in the mess - while mourning her husband, Manning steps into her penthouse and demands $2million, a debt her late husband left after him. She then embarks on a journey, which in the beginning is interesting, to find out what he left her (a notebook of the heist) and what she has to do to get the $2million, but then it gets boring - dragged out, inconsistent, weird; shouldn`t she be the one to buy a van, guns and figure out what that piece of paper meant and not hand it over to people who she doesn`t know at all? Along the way, the couples longtime friend and driver is murdered by Manning`s men and there`s really not much to it. And Linda, with two children, was firstly assigned to the piece of drawing, used her Spanish to get to the architect of the drawing, but then messed up when the architects husband opened the door and tells her she is dead. And then she confessed her husband had died recently as well and then they kiss??? What I liked the most was how four completely different women could work together and pull the heist off, without any help from a man - it showed, not only the empowerment of women in Hollywood but also that it was validated -there`s not many films with three leading actresses in a blockbuster (Ocean`s 8 fine) and I appreciated the film for it. And I liked the works of Sean Bobbit, whose cinematography told a story in the story and which made the visual aspect worthy, as when Jack held a little presentation in a segregated area and walked over to the car and sat in it and the camera kept rolling on top of the hood of the car as he had a discussion with his assistant about him not wanting to do the work he`s doing (irrelevant given the outcome of it - again no substantial meaning to dialogue) and by a turn, the camera switched to the other side of the car on the more wealthier areas of Chicago. It was refreshing and needed. The only thing I wasn`t disappointed with and which I would happily pay £18 for, was that if you bring Viola Davis, Robert Duvall, Liam Neeson, Colin Farrell, Michelle Rodriguez and Daniel Kaluuya on screen, you`re never gonna be disappointed. Viola Davis outshone everyone, even if the others were great as well. Ah well, at least I can remove this one from my watchlist.
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I was looking though a list of the best foreign horror films of 2018. You had the typical fare, movies about demons and hauntings, and then I came across the description for this movie. I went in without seeing the trailer and I prepared myself for a really disturbing film. Then I waited. and waited. And waited. Nothing happened for 50 some-odd minutes. Seriously, some domestic violence, a young "sugar baby" taking advantage of her daddy, unattractive pale, tan-less people being obnoxious and rude. It was like watching an European family movie. Just tedious, boring stuff. But at that 50 minute mark, you get a full on porn-style sex scene that lasts maybe 3 minutes, but it`s unsimulated and really not that shocking, considering hwo easy it is for anyone to access porn these days. Anyone who has watched a porno movie in the last, oh I don`t know, 30 YEARS has seen a scene like that in some way, shape or form. The sad part is that a woman would debase herself in such a way to not have to work a day in her life says a lot more about her than it would ever say about him. We get more boring, obnoxious people, and some more domestic violence for about another 20 minutes. Then finale has a scene that genuinely shocked me, and the movie was over. So, here`s what you get with this "movie"; First 50 minutes- Boring, trite and tedious. Really, everyone is insufferable. Minute 50 - minute 55- "Shocking" rape scene that is just a truncated porn scene 1 hour- 1 hour, Ten minutes- "Shocking" scene The end. It`s just not worth it, folks. It really isn`t. It doesn`t work as a piece of "female empowerment", it doesn`t work as a piece of entertainment, and it certainly doesn`t work as anything other than what it is; a lame attaempt to shock audiences in the #metoo era. Avoid this movie and let`s never speak of it again. Truly awful and repugnant, but not for the reasons you have been told it is.
CAST: Victoria Carmen Sonne, Lai Yde, Thijs Römer, Yuval Segal, Laura Kjær, Morten Hemmingsen, Adam Ild Rohweder, Ergun Kuyucu, Michiel de Jong, Adam Strand, Stanislav Sevcik, Bo Brønnum, Mathias Bengtsson, Mill Jober, Saxe Rankenberg Frey
SYNOPSIS: A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera.
